Difference between revisions of "3"

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<p class=a4>West land</p><p class=c>In this land are published and discussed melodies and chants of the so-called «Gregorian» and «Ambrosian» singings: chants of old latin churchs, «West patristical singing», ancient roman singing, nord embodiment in a sound of the heavenly song.</p><noinclude>
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<p class=c>Presented in the monuments which are written down by the Gregorian and ancient roman notation.</p>
  
  
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{| class="sortable" style="border-collapse: separate; background-color: transparent; border:0px;" width="100%"
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<div class="score">
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|-
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<score raw vorbis>
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|<!-- 📙 [[WEST/ΠΑΛΑΙΟΣΛΑΒΙΚΑ|<grc>ΠΑΛΑΙΟΣΛΑΒΙΚΑ ΜΝΗΜΕΙΑ ΨΑΛΤΙΚΗΣ</grc><el>Παλαιοσλαβικὰ μνημεῖα ψαλτικῆς</el><cu>ДРЕВЛЕСЛОВѢНСКІЕ ПѢВЧЕСКІЕ ПАМѦТНИКИ</cu><ru>Древлесловѣ‍скїе пѣвческїе памѧтники</ru><en>Palaioslavic chant monuments</en>]] -->
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#(set! paper-alist (cons '("my size" . (cons (* 6 in) (* 3 in))) paper-alist))
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|📙 [[WEST/ΑΡΧΑΙΑ|<grc>ΜΝΗΜΕΙΑ ΨΑΛΤΙΚΗΣ ΕΝ ΑΡΧΑΙΑι ΣΗΜΕΙΟΓΡΑΦΙΑι</grc><el>Μνημεῖα ψαλτικῆς ἐν ἀρχαίᾳ σημειογ‍ραφίᾳ</el><en>Chant Monuments in ancient notation</en><cu>ПѢВЧЕСКІЕ ПАМѦТНИКИ ДРЕВНИМЪ ЗНАМЕНЕМЪ</cu><ru>Пѣ‍вческїе па‍мѧтники въ древнихъ нотацїѧхъ</ru>]]
 
  
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|----- valign="TOP"
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\paper {
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| ⛪ [[WEST/Octoechos|<en>Octoechos, the Parakletike - Anastasimatarion</en><grc>ΟΚΤΩΗΧΟΣ - ΑΝΑΣΤΑΣΙΜΑΤΑΡΙΟΝ</grc><el>Ὀκτώηχος - ἀναστασιματάριον</el><cu>ѺКТАЙ - ВОСКРЕСНИКЪ</cu><ru>Ѻкто‍ихъ - Воскресникъ</ru>]]
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  #(set-paper-size "my size")
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| 🔬 [[WEST/АЗБУКИ|<en>Learn to chant</en><grc>ΕΚΜΑΘΗΣΙΣ ΨΑΛΤΙΚΗΣ</grc><el>Μέθοδοι τῆς Ψαλτικῆς</el><cu>НАꙊЧЕНІЕ ЦЕРКОВНОМꙊ ПѢНІЮ</cu><ru>Учиться пѣнїю</ru>]]
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|----- valign="TOP"
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  indent = 0\mm
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|
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  system-system-spacing #'basic-distance = #15
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| 🖥 [[WEST/Keys|<en>Typesetting and composing of chant notations</en><grc>ΠΛΗΚΤΡΟΛΟΓΙΟΝ κ‍‍ ΣΤΟΙΧΕΙΟΘΕΤΗΣΙΣ τῶν ΣΗΜΕΙΟΓΡΑΦΙΩΝ τῆς ΨΑΛΤΙΚΗΣ</grc><el>Πληκτρολόγ‍ιον καὶ στοιχειοθέτησις τῶν σημειογ‍ραφιῶν τῆς ψαλτικῆς</el><cu>ВЫЧИСЛИТЕЛЕНЪ НАБОРЪ ПѢВЧЕСКИХЪ ЗНАМЕНЪ</cu><ru>Компьютерный наборъ пѣвческихъ нотацїй</ru>]]
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  score-system-spacing =
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|-
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    #'((basic-distance . 20)
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|
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      (minimum-distance . 18)
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|🕯
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      (padding . 2)
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|-
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      (stretchability . 18))
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|📕 [[WEST/canticles|<grc>ΣΤΙΧΗΡΑΡΙΑ - ΑΝΘΟΛΟΓΙΑΙ ΣΤΙΧΗΡΩΝ</grc><el>Στιχηράρια - ἀνθολογίαι στιχηρῶν</el><cu>СТІХИРАРИ - ЦВѢТОСОБРАНІѦ СТІХИРЪ</cu><ru>Стїхирари‌ - собра‍нїѧ стїхи‍ръ</ru><en>Stiheraria - collections of canticles «στιχηρὰ»</en>]]
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}
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|🕯
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|-
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|📗 [[WEST/hirmologia|<grc>ΕΙΡΜΟΛΟΓΙΑ - ΣΥΛΛΟΓΑΙ ΕΙΡΜΩΝ καὶ ΠΡΟΣΟΜΟΙΩΝ</grc><el>Εἰρμολόγ‍ια - συλλογαὶ εἰρμῶν καὶ προσομοίων</el><cu>ІРМОЛОГИ - СБОРНИКИ ІРМОСОВЪ и‍‍ ПОДОБНѠВЪ</cu><ru>І‍‍рмоло‍гїи - сбо‍рники і‍‍рмосо‍въ и‍‍ подо‍бновъ</ru><en>Hirmologia - collections of canticles «εἰρμοὶ» and «προσόμοια»</en>]]
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\header {
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|🕯 [[WEST/English|<grc>ΑΓΓΛΙΣΤΙ</grc><el>Ὕμνοι ἀγγλιστὶ</el><en>in English language</en><cu>НА АНГЛІЙСКОМЪ</cu><ru>На англїйскомъ</ru>]]
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tagline = "  "
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|-
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}
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|📕 [[WEST/anthologies|<grc>ΠΑΠΑΔΙΚΑΙ - ΣΥΛΛΟΓΑΙ ΤΩΝ ΣΤΑΘΕΡΩΝ ΥΜΝΩΝ καὶ ΨΑΛΤΙΚΑΙ ΑΝΘΟΛΟΓΙΑΙ</grc><el>Παπαδικαὶ - συλλογαὶ τῶν σταθερῶν ὕμνων ἐκτενοῦς μέλους καὶ ψαλτικαὶ ἀνθολογίαι</el><en>Papadike - collections of permanent canticles with extensive melody and chant anthologies</en><cu>ѺБИХОДНИКИ - СБОРНИКИ НЕПОДВИЖНЫХЪ ПѢСНОПѢНІЙ ПРОСТРАННАГѠ РОСПѢВА и‍‍ ПѢВЧЕСКІЕ ЦВѢТОСОБРАНІѦ</cu><ru>Ѻбихо‍дники - собранїѧ неподви‍жныхъ пѣснопѣнїй пространнагѡ роспѣва и‍‍ пѣ‍вческїѧ анѳоло‍гїи</ru>]]
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|🕯
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\include "gregorian.ly"
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|}
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\score {
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<en> {{DISPLAYTITLE: West God-inspired singing }}</en><grc>{{DISPLAYTITLE: Ἑσπερία
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<<
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θεόπνευστος ψαλτική }}</grc><el> {{DISPLAYTITLE: Δυτικὴ
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    \new VaticanaVoice = "cantus" {
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θεόπνευστος ψαλτική }}</el><ru> {{DISPLAYTITLE: За́падное боговдохнове́нное пѣнїе }}</ru><cu>{{DISPLAYTITLE:ЗАПАДНОЕ БОГОДОХНОВЕННОЕ ПѢНІЕ }}</cu>
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      \clef "vaticana-do3"
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[[Category:ΑΠΑΝΤΑ]]
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      % Verse 1 — Salve, Regína
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[[Category:ΥΜΝΟΙ]]
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      a\melisma \[ a \flexa g \pes a\melismaEnd \] d
−
[[Category:ЗАПАДЪ]]
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      \divisioMinima
−
[[Category:WEST]]
+
      \[ a\melisma \flexa g\melismaEnd \]
 +
      \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
 +
      \[ e\melisma \flexa d\melismaEnd \]
 +
      \divisioMaior
 +
      c d \[d\melisma \flexa c\melismaEnd \] d
 +
      \[ e\melisma \pes f\melismaEnd\] g
 +
      \[d\melisma \pes e \flexa c\melismaEnd \] d
 +
      \finalis
 +
      % Verse 2 — Vita, dulcédo
 +
      % a\melisma \[ a \flexa g \pes a\melismaEnd \] d
 +
      % \divisioMinima
 +
      % \[ a\melisma \flexa g\melismaEnd \]
 +
      % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \]
 +
      % \[ e\melisma \flexa d\melismaEnd \]
 +
      % \divisioMaior
 +
      % c d \[e\melisma \pes f\melismaEnd \] g
 +
      % \[d\melisma \pes e \flexa c\melismaEnd \] d
 +
      % \finalis
 +
      % Verse 3 — Ad te clamámus
 +
      \[ d\melisma \pes f\melismaEnd\] a g
 +
      \[ g\melisma \flexa f \pes a\melismaEnd\] e
 +
      \divisioMaior
 +
      g f \[ e\melisma \flexa d \pes g\melismaEnd \]
 +
      \divisioMinima
 +
      c d \[ e\melisma \flexa d \pes g\melismaEnd \]
 +
      \[ f\melisma \flexa e\melismaEnd \] d
 +
      \finalis
 +
      % Verse 4 — Ad te suspirámus
 +
      \[ d\melisma \pes f\melismaEnd \] a c' g
 +
      \[ g\melisma \flexa f \pes g\melismaEnd \] a
 +
      \divisioMaior
 +
      d \[ f\melisma \pes \deminutum g\melismaEnd \] g d
 +
      \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \]
 +
      c \divisioMaior
 +
      d \[ d\melisma \flexa c \pes f\melismaEnd \]
 +
      \[ g\melisma \pes a\melismaEnd \]
 +
      g \[ f\melisma \flexa e\melismaEnd \] g
 +
      \[ f\melisma \flexa \deminutum e\melismaEnd \]
 +
      \[ d\melisma \flexa c \pes d\melismaEnd \]
 +
      \finalis
 +
      % Verse 5 — Eia ergo, Advocáta nostra
 +
      f\melisma \[ f \pes g\melismaEnd \] f
 +
      \[ g\melisma \pes \deminutum a\melismaEnd \] a
 +
      \divisioMinima
 +
      c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a
 +
      \divisioMaior
 +
      d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a
 +
      \divisioMinima
 +
      d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g
 +
      \[ d\melisma \pes e\melismaEnd \] f
 +
      \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \]
 +
      \divisioMaior
 +
      \[ c\melisma \pes d\melismaEnd \]
 +
      f \[ g\melisma \flexa \deminutum f\melismaEnd \]
 +
      \[ d\melisma \flexa c \pes d\melismaEnd \] d
 +
      \finalis
 +
      % Verse 6 — Et Jesum
 +
      d a, \[ c\melisma \pes d\melismaEnd \]
 +
      \divisioMinima
 +
      d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \]
 +
      c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g
 +
      \[ f\melisma \flexa e\melismaEnd \]
 +
      \[ d\melisma \flexa c \pes d\melismaEnd \]
 +
      \[ d\melisma \pes a \] \virga bes\melismaEnd a
 +
      \divisioMinima
 +
      \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f
 +
      \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \]
 +
      \divisioMinima
 +
      \[ e\melisma \pes f \flexa e\melismaEnd \] d d
 +
      \finalis
 +
      % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María
 +
      a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \]
 +
      \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a
 +
      \finalis
 +
      \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \]
 +
      \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \]
 +
      \finalis
 +
      \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \]
 +
      \divisioMinima
 +
      \[ d \pes e f \pes g\melismaEnd \]
 +
      \[ g\melisma \flexa \deminutum f\melismaEnd \]
 +
      \[ g\melisma \pes a\melismaEnd \]
 +
      d c d \[ d\melisma \pes g \flexa f f\melismaEnd \]
 +
      \[ e\melisma \flexa d\melismaEnd \]
 +
      \finalis
 +
    }
 +
    \new Lyrics \lyricsto "cantus" {
 +
      Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae:
 +
      % Vi- ta, dul- cé- do, et spes no- stra, sal- ve.
 +
      Ad te cla- má- mus, éx- su- les, fi- li- i He- vae.
 +
      Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum
 +
      val- le.
 +
      E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des
 +
      ó- cu- los ad nos con- vér- te.
 +
      Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc
 +
      ex- sí- li- um os- tén- de.
 +
      O cle- mens:
 +
      O pi- a:
 +
      O dul- cis Vir- go Ma- rí- a.
 +
    }
 +
  >>
 +
\layout { }
 +
\midi {
 +
    \context {
 +
      \Staff
 +
      \remove "Staff_performer"
 +
    }
 +
    \context {
 +
      \Voice
 +
      \consists "Staff_performer"
 +
    }
 +
    \context {
 +
      \Score
 +
      tempoWholesPerMinute = #(ly:make-moment 58 2)
 +
    }
 +
  }
 +
}
 +
</score>
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<p class=c>Examples of sacred melodies of West land:</p>
 +
<gallery mode="nolines" widths="350px">
 +
 
 +
File:roma-00.mp3|«Puer natus», gregorian melody – chants the Ensemble [http://melos.su «Melos»]
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File:roma-01.mp3|«Acclamation - Δόξα ἐν ὑψίστοις», ambrosian melody – chants the ensemble «Organum»
 +
File:roma-14.mp3|«Repons - Amicus meus osculi me tradit», ambrosian melody – chants the ensemble «Organum»
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File:roma-02.mp3|«Alleluia - Pascha nostrum», ambrosian melody – chants the ensemble «Organum»
 +
</gallery>
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{{#css: MediaWiki:Commo.css}}
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[[Category:ΑΠΑΝΤΑ]] [[Category:N]] </noinclude>

Latest revision as of 07:22, 24 March 2022

West land

In this land are published and discussed melodies and chants of the so-called «Gregorian» and «Ambrosian» singings: chants of old latin churchs, «West patristical singing», ancient roman singing, nord embodiment in a sound of the heavenly song.

Presented in the monuments which are written down by the Gregorian and ancient roman notation.


Page 1Page 2Page 3



Examples of sacred melodies of West land:

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