Difference between revisions of "4/en"

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<p class=a3>South land</p><p class=c>In this land are published and discussed all other melodies and chants bearing the stamp of divine inspiration: the Georgian singing, supralskiy singing etc... which can apply for a high rank to be a terrestrial image of an eternal heavenly song.</p><noinclude>
 
<p class=a3>South land</p><p class=c>In this land are published and discussed all other melodies and chants bearing the stamp of divine inspiration: the Georgian singing, supralskiy singing etc... which can apply for a high rank to be a terrestrial image of an eternal heavenly song.</p><noinclude>
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 +
 +
<div class="score">
 +
<score raw vorbis>
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#(set! paper-alist (cons '("my size" . (cons (* 6 in) (* 3 in))) paper-alist))
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 +
\paper {
 +
  #(set-paper-size "my size")
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 +
  indent = 0\mm
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  system-system-spacing #'basic-distance = #15
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  score-system-spacing =
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    #'((basic-distance . 20)
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      (minimum-distance . 18)
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      (padding . 2)
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      (stretchability . 18))
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}
 +
 +
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\header {
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tagline = "  "
 +
}
 +
 +
\include "arabic.ly"
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\score {
 +
  \new Staff <<
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    \new Voice \relative do' {
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      \set midiInstrument = #"viola"
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      \voiceOne
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\time 2/4 mi4 fa \time 3/4 \tempo "Исон соль" sol sol sol \time 2/4 fa sol \time 3/4 lasb sol sol \time 2/4 \tempo "Унисон" sol fa mi2 mi4 \tempo "Исон соль" fa sol sol sol sol \time 3/4 \tempo "Исон ми" sol4( \appoggiatura lasb16 sol4) fa4 \time 2/4 mi2 \tempo "Унисон" mi4 mi \tempo "Исон соль" si' si si si lasb si do si si lasb \time 3/4 sol8( lasb si4) lasb sol2 sol4 \time 2/4 sol lasb si lasb lasb sol sol lasb \tempo "Исон ми" si lasb lasb | \break sol \time 4/4 fa mi2 mi4 \time 3/4 \tempo "Исон соль" si' si si \time 2/4 lasb si do si \time 3/4 lasb4( \appoggiatura si16 lasb4) sol4 \time 2/4 sol2 sol4 lasb si lasb \time 3/4 \tempo "Исон ми" sol4( \appoggiatura lasb16 sol4) fa4 \time 2/4 mi2 \tempo "Исон соль" sol4 sol \time 3/4 lasb sol lasb \time 2/4 lasb~ si si2 \time 3/4 \tempo "Исон ми" si4 lasb sol \time 2/4 sol( fa8 mi fa4 sol) mi2. }
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\addlyrics { kBo go ro di tse c'u mi lje ni jem pri pa djem vsi greh mi ob re mje njen ni i чу до твор ну ю Е я и ко ну У ми ле ни я об ло бы за ю ще и во пи ю ще со сле за ми Вла ды чи це при и ми мо ле ни е не до стой ных раб Тво их и по даждь нам про ся щим ве ли ю ми лость }
 +
 +
  \new Voice \relative do' {
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      \set midiInstrument = #"reed organ"
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      \voiceTwo
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mi4 fa sol\breve sol4 fa mi2 mi4 fa sol1 mi2.( mi2) mi4 mi sol\longa sol\breve mi\breve sol\longa mi2. ~ mi2 sol\breve s4 mi\breve
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    }
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  >>
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\layout { }
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\midi {
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    \context {
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      \Staff
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      \remove "Staff_performer"
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    }
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    \context {
 +
      \Voice
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      \consists "Staff_performer"
 +
    }
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    \context {
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      \Score
 +
      tempoWholesPerMinute = #(ly:make-moment 58 2)
 +
    }
 +
  }
 +
}
 +
</score>
 +
</div>
 +
 +
 +
 +
 +
 +
  
 
<p class=b>Examples of sacred melodies of the South land:</p>
 
<p class=b>Examples of sacred melodies of the South land:</p>

Latest revision as of 07:56, 24 March 2022

South land

In this land are published and discussed all other melodies and chants bearing the stamp of divine inspiration: the Georgian singing, supralskiy singing etc... which can apply for a high rank to be a terrestrial image of an eternal heavenly song.


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Examples of sacred melodies of the South land:


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