Difference between revisions of "4"
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| − | <p class=a3 | + | <p class=a3>South land</p><p class=c>In this land are published and discussed all other melodies and chants bearing the stamp of divine inspiration: the Georgian singing, supralskiy singing etc... which can apply for a high rank to be a terrestrial image of an eternal heavenly song.</p><noinclude> |
| + | <div class="score"> | ||
| + | <score raw vorbis> | ||
| + | #(set! paper-alist (cons '("my size" . (cons (* 6 in) (* 3 in))) paper-alist)) | ||
| + | \paper { | ||
| + | #(set-paper-size "my size") | ||
| + | |||
| + | indent = 0\mm | ||
| + | system-system-spacing #'basic-distance = #15 | ||
| + | score-system-spacing = | ||
| + | #'((basic-distance . 20) | ||
| + | (minimum-distance . 18) | ||
| + | (padding . 2) | ||
| + | (stretchability . 18)) | ||
| + | } | ||
| − | < | + | |
| − | File:suprasl-11.mp3| | + | \header { |
| − | File:grabarka-04.mp3| | + | tagline = " " |
| + | } | ||
| + | |||
| + | \include "arabic.ly" | ||
| + | \score { | ||
| + | \new Staff << | ||
| + | \new Voice \relative do' { | ||
| + | \set midiInstrument = #"viola" | ||
| + | \voiceOne | ||
| + | \time 2/4 mi4 fa \time 3/4 \tempo "Исон соль" sol sol sol \time 2/4 fa sol \time 3/4 lasb sol sol \time 2/4 \tempo "Унисон" sol fa mi2 mi4 \tempo "Исон соль" fa sol sol sol sol \time 3/4 \tempo "Исон ми" sol4( \appoggiatura lasb16 sol4) fa4 \time 2/4 mi2 \tempo "Унисон" mi4 mi \tempo "Исон соль" si' si si si lasb si do si si lasb \time 3/4 sol8( lasb si4) lasb sol2 sol4 \time 2/4 sol lasb si lasb lasb sol sol lasb \tempo "Исон ми" si lasb lasb | \break sol \time 4/4 fa mi2 mi4 \time 3/4 \tempo "Исон соль" si' si si \time 2/4 lasb si do si \time 3/4 lasb4( \appoggiatura si16 lasb4) sol4 \time 2/4 sol2 sol4 lasb si lasb \time 3/4 \tempo "Исон ми" sol4( \appoggiatura lasb16 sol4) fa4 \time 2/4 mi2 \tempo "Исон соль" sol4 sol \time 3/4 lasb sol lasb \time 2/4 lasb~ si si2 \time 3/4 \tempo "Исон ми" si4 lasb sol \time 2/4 sol( fa8 mi fa4 sol) mi2. } | ||
| + | \addlyrics { kBo go ro di tse c'u mi lje ni jem pri pa djem vsi greh mi ob re mje njen ni i чу до твор ну ю Е я и ко ну У ми ле ни я об ло бы за ю ще и во пи ю ще со сле за ми Вла ды чи це при и ми мо ле ни е не до стой ных раб Тво их и по даждь нам про ся щим ве ли ю ми лость } | ||
| + | |||
| + | \new Voice \relative do' { | ||
| + | \set midiInstrument = #"reed organ" | ||
| + | \voiceTwo | ||
| + | mi4 fa sol\breve sol4 fa mi2 mi4 fa sol1 mi2.( mi2) mi4 mi sol\longa sol\breve mi\breve sol\longa mi2. ~ mi2 sol\breve s4 mi\breve | ||
| + | } | ||
| + | >> | ||
| + | \layout { } | ||
| + | \midi { | ||
| + | \context { | ||
| + | \Staff | ||
| + | \remove "Staff_performer" | ||
| + | } | ||
| + | \context { | ||
| + | \Voice | ||
| + | \consists "Staff_performer" | ||
| + | } | ||
| + | \context { | ||
| + | \Score | ||
| + | tempoWholesPerMinute = #(ly:make-moment 58 2) | ||
| + | } | ||
| + | } | ||
| + | } | ||
| + | </score> | ||
| + | </div> | ||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
| + | |||
| + | <p class=c>Examples of sacred melodies of the South land:</p> | ||
| + | <gallery mode="nolines" widths="350px"> | ||
| + | File:suprasl-11.mp3|Cherubikon, Supraslsky melody – chants dirigent of the chorus «Bogdan Onisimowich» Martyn Abijskij | ||
| + | File:grabarka-04.mp3|«Da ispravitsya molitva moya», Supraslsky melody – chant nuns of the monastery «Grabarka» in Poland | ||
</gallery> | </gallery> | ||
| − | [[Category:ΑΠΑΝΤΑ]] | + | [[Category:ΑΠΑΝΤΑ]] [[Category:ΥΜΝΟΙ]] [[Category:ЗАПАДЪ]] [[Category:WEST]] |
| − | [[Category:ΥΜΝΟΙ]] | ||
| − | [[Category:ЗАПАДЪ]] | ||
| − | [[Category:WEST]] | ||
[[Category:N]] | [[Category:N]] | ||
| − | {{#css:MediaWiki:kk.css}} | + | {{#css:MediaWiki:kk.css}} {{#css: MediaWiki:Commo.css}} |
| − | {{#css: MediaWiki:Commo.css}} | + | {{DISPLAYTITLE:Ambassador of the South land}} |
| − | |||
</noinclude> | </noinclude> | ||
Latest revision as of 07:57, 24 March 2022
South land
In this land are published and discussed all other melodies and chants bearing the stamp of divine inspiration: the Georgian singing, supralskiy singing etc... which can apply for a high rank to be a terrestrial image of an eternal heavenly song.


Examples of sacred melodies of the South land:
Cherubikon, Supraslsky melody – chants dirigent of the chorus «Bogdan Onisimowich» Martyn Abijskij
«Da ispravitsya molitva moya», Supraslsky melody – chant nuns of the monastery «Grabarka» in Poland