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<p class=a4>West land</p><p class=c>In this land are published and discussed melodies and chants of the so-called «Gregorian» and «Ambrosian» singings: chants of old latin churchs, «West patristical singing», ancient roman singing, nord embodiment in a sound of the heavenly song.</p><noinclude> | <p class=a4>West land</p><p class=c>In this land are published and discussed melodies and chants of the so-called «Gregorian» and «Ambrosian» singings: chants of old latin churchs, «West patristical singing», ancient roman singing, nord embodiment in a sound of the heavenly song.</p><noinclude> | ||
<p class=c>Presented in the monuments which are written down by the Gregorian and ancient roman notation.</p> | <p class=c>Presented in the monuments which are written down by the Gregorian and ancient roman notation.</p> | ||
+ | |||
+ | |||
+ | <div class="score"> | ||
+ | <score raw vorbis> | ||
+ | #(set! paper-alist (cons '("my size" . (cons (* 6 in) (* 3 in))) paper-alist)) | ||
+ | |||
+ | \paper { | ||
+ | #(set-paper-size "my size") | ||
+ | |||
+ | indent = 0\mm | ||
+ | system-system-spacing #'basic-distance = #15 | ||
+ | score-system-spacing = | ||
+ | #'((basic-distance . 20) | ||
+ | (minimum-distance . 18) | ||
+ | (padding . 2) | ||
+ | (stretchability . 18)) | ||
+ | } | ||
+ | |||
+ | |||
+ | \header { | ||
+ | tagline = " " | ||
+ | } | ||
+ | |||
+ | \include "gregorian.ly" | ||
+ | \score { | ||
+ | << | ||
+ | \new VaticanaVoice = "cantus" { | ||
+ | \clef "vaticana-do3" | ||
+ | % Verse 1 — Salve, Regína | ||
+ | a\melisma \[ a \flexa g \pes a\melismaEnd \] d | ||
+ | \divisioMinima | ||
+ | \[ a\melisma \flexa g\melismaEnd \] | ||
+ | \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \] | ||
+ | \[ e\melisma \flexa d\melismaEnd \] | ||
+ | \divisioMaior | ||
+ | c d \[d\melisma \flexa c\melismaEnd \] d | ||
+ | \[ e\melisma \pes f\melismaEnd\] g | ||
+ | \[d\melisma \pes e \flexa c\melismaEnd \] d | ||
+ | \finalis | ||
+ | % Verse 2 — Vita, dulcédo | ||
+ | % a\melisma \[ a \flexa g \pes a\melismaEnd \] d | ||
+ | % \divisioMinima | ||
+ | % \[ a\melisma \flexa g\melismaEnd \] | ||
+ | % \[ f\melisma \flexa e f \pes g \flexa f\melismaEnd \] | ||
+ | % \[ e\melisma \flexa d\melismaEnd \] | ||
+ | % \divisioMaior | ||
+ | % c d \[e\melisma \pes f\melismaEnd \] g | ||
+ | % \[d\melisma \pes e \flexa c\melismaEnd \] d | ||
+ | % \finalis | ||
+ | % Verse 3 — Ad te clamámus | ||
+ | \[ d\melisma \pes f\melismaEnd\] a g | ||
+ | \[ g\melisma \flexa f \pes a\melismaEnd\] e | ||
+ | \divisioMaior | ||
+ | g f \[ e\melisma \flexa d \pes g\melismaEnd \] | ||
+ | \divisioMinima | ||
+ | c d \[ e\melisma \flexa d \pes g\melismaEnd \] | ||
+ | \[ f\melisma \flexa e\melismaEnd \] d | ||
+ | \finalis | ||
+ | % Verse 4 — Ad te suspirámus | ||
+ | \[ d\melisma \pes f\melismaEnd \] a c' g | ||
+ | \[ g\melisma \flexa f \pes g\melismaEnd \] a | ||
+ | \divisioMaior | ||
+ | d \[ f\melisma \pes \deminutum g\melismaEnd \] g d | ||
+ | \[ \virga f\melisma \inclinatum e \inclinatum d\melismaEnd \] | ||
+ | c \divisioMaior | ||
+ | d \[ d\melisma \flexa c \pes f\melismaEnd \] | ||
+ | \[ g\melisma \pes a\melismaEnd \] | ||
+ | g \[ f\melisma \flexa e\melismaEnd \] g | ||
+ | \[ f\melisma \flexa \deminutum e\melismaEnd \] | ||
+ | \[ d\melisma \flexa c \pes d\melismaEnd \] | ||
+ | \finalis | ||
+ | % Verse 5 — Eia ergo, Advocáta nostra | ||
+ | f\melisma \[ f \pes g\melismaEnd \] f | ||
+ | \[ g\melisma \pes \deminutum a\melismaEnd \] a | ||
+ | \divisioMinima | ||
+ | c' g \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] d g a | ||
+ | \divisioMaior | ||
+ | d' d' \[ c'\melisma \flexa b c' \pes d'\melismaEnd \] a | ||
+ | \divisioMinima | ||
+ | d' c' a \[ g\melisma \flexa f \pes a\melismaEnd \] g | ||
+ | \[ d\melisma \pes e\melismaEnd \] f | ||
+ | \[ \virga e\melisma \inclinatum d \inclinatum c\melismaEnd \] | ||
+ | \divisioMaior | ||
+ | \[ c\melisma \pes d\melismaEnd \] | ||
+ | f \[ g\melisma \flexa \deminutum f\melismaEnd \] | ||
+ | \[ d\melisma \flexa c \pes d\melismaEnd \] d | ||
+ | \finalis | ||
+ | % Verse 6 — Et Jesum | ||
+ | d a, \[ c\melisma \pes d\melismaEnd \] | ||
+ | \divisioMinima | ||
+ | d \[ d\melisma \pes e\melismaEnd \] \[ e\melisma \flexa d d\melismaEnd \] | ||
+ | c g f \[ e\melisma \flexa \deminutum d\melismaEnd \] g | ||
+ | \[ f\melisma \flexa e\melismaEnd \] | ||
+ | \[ d\melisma \flexa c \pes d\melismaEnd \] | ||
+ | \[ d\melisma \pes a \] \virga bes\melismaEnd a | ||
+ | \divisioMinima | ||
+ | \[ \virga a\melisma \inclinatum g \inclinatum f\melismaEnd \] g d f | ||
+ | \[ f\melisma \flexa e\melismaEnd \] \[ d\melisma \flexa c\melismaEnd \] | ||
+ | \divisioMinima | ||
+ | \[ e\melisma \pes f \flexa e\melismaEnd \] d d | ||
+ | \finalis | ||
+ | % Verse 7 ad finem — O clemens: O pia: O dulcis Virgo María | ||
+ | a\melisma \[a \flexa g a \quilisma b \pes c'\melismaEnd \] | ||
+ | \[ \virga b\melisma \inclinatum a \inclinatum g\melismaEnd \] a | ||
+ | \finalis | ||
+ | \[ g\melisma \pes a \quilisma b \pes c' \] \[ c' \flexa b\melismaEnd \] | ||
+ | \[ a\melisma \flexa g\melismaEnd \] \[ g\melisma \pes a\melismaEnd \] | ||
+ | \finalis | ||
+ | \[ a\melisma \flexa d \virga f \inclinatum e \inclinatum d \inclinatum c d \] | ||
+ | \divisioMinima | ||
+ | \[ d \pes e f \pes g\melismaEnd \] | ||
+ | \[ g\melisma \flexa \deminutum f\melismaEnd \] | ||
+ | \[ g\melisma \pes a\melismaEnd \] | ||
+ | d c d \[ d\melisma \pes g \flexa f f\melismaEnd \] | ||
+ | \[ e\melisma \flexa d\melismaEnd \] | ||
+ | \finalis | ||
+ | } | ||
+ | \new Lyrics \lyricsto "cantus" { | ||
+ | Sal- ve, Re- gí- na, ma- ter mi- se- ri- cór- di- ae: | ||
+ | % Vi- ta, dul- cé- do, et spes no- stra, sal- ve. | ||
+ | Ad te cla- má- mus, éx- su- les, fi- li- i He- vae. | ||
+ | Ad te su- spi- rá- mus, ge- mén- tes et flen- tes in hac la- cri- má- rum | ||
+ | val- le. | ||
+ | E- ia er- go, Ad- vo- cá- ta no- stra, il- los tu- os mi- se- ri- cór- des | ||
+ | ó- cu- los ad nos con- vér- te. | ||
+ | Et Je- sum, be- ne- díc- tum fruc- tum ven- tris tu- i, no- bis post hoc | ||
+ | ex- sí- li- um os- tén- de. | ||
+ | O cle- mens: | ||
+ | O pi- a: | ||
+ | O dul- cis Vir- go Ma- rí- a. | ||
+ | } | ||
+ | >> | ||
+ | \layout { } | ||
+ | \midi { | ||
+ | \context { | ||
+ | \Staff | ||
+ | \remove "Staff_performer" | ||
+ | } | ||
+ | \context { | ||
+ | \Voice | ||
+ | \consists "Staff_performer" | ||
+ | } | ||
+ | \context { | ||
+ | \Score | ||
+ | tempoWholesPerMinute = #(ly:make-moment 58 2) | ||
+ | } | ||
+ | } | ||
+ | } | ||
+ | </score> | ||
+ | |||
+ | |||
+ | |||
+ | |||
+ | |||
<p class=c>Examples of sacred melodies of West land:</p> | <p class=c>Examples of sacred melodies of West land:</p> | ||
<gallery mode="nolines" widths="350px"> | <gallery mode="nolines" widths="350px"> |
Latest revision as of 07:22, 24 March 2022
West land
In this land are published and discussed melodies and chants of the so-called «Gregorian» and «Ambrosian» singings: chants of old latin churchs, «West patristical singing», ancient roman singing, nord embodiment in a sound of the heavenly song.
Presented in the monuments which are written down by the Gregorian and ancient roman notation.
Examples of sacred melodies of West land:
«Puer natus», gregorian melody – chants the Ensemble «Melos»
«Acclamation - Δόξα ἐν ὑψίστοις», ambrosian melody – chants the ensemble «Organum»
«Repons - Amicus meus osculi me tradit», ambrosian melody – chants the ensemble «Organum»
«Alleluia - Pascha nostrum», ambrosian melody – chants the ensemble «Organum»